Cultural Hybridization in The Lego Ninjago Movie: A Third Space Analysis Through Homi Bhabha’s Theory

Authors

  • Fazkia Dinar Azzahra Universitas Pamulang
  • Firyal Najwa
  • Galuh Maharani
  • Ravana Nur

DOI:

https://doi.org/10.32493/efn.v9i1.46617

Keywords:

cultural hybridization, East-Asian cultures, Multicultural literature, The Lego Ninjago Movie, Western Cultures

Abstract

This study examines The LEGO Ninjago Movie as a cultural text that embodies the principles of cultural hybridization in a globalized media landscape. Grounded in Homi Bhabha’s theory of the Third Space, the analysis highlights how the film blends traditional East Asian motifs with Western narrative conventions to construct a hybrid cultural identity. By focusing on the characters of Lloyd and Garmadon, the film presents a nuanced exploration of the tension between individual identity formation and the constraints of inherited cultural roles. The narrative and visual elements create a metaphorical space where diverse cultural elements intersect, critique, and transform one another. In doing so, The LEGO Ninjago Movie not only bridges cultural divides but also contributes to ongoing conversations about transnational identity, cultural negotiation, and the role of popular media as a site for intercultural dialogue and mutual understanding.

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Published

2025-07-13

How to Cite

Azzahra, F. D., Firyal Najwa, Galuh Maharani, & Ravana Nur. (2025). Cultural Hybridization in The Lego Ninjago Movie: A Third Space Analysis Through Homi Bhabha’s Theory. EUFONI: Journal of Language, Literary, and Cultural Studies, 9(1), 34–40. https://doi.org/10.32493/efn.v9i1.46617